{"accessibility":"METERED","authors":[{"description":{},"email":"gbouchard@lesoleil.com","imageUrl":"https://images.omerlocdn.com/resize?url=https%3A%2F%2Fgcm-v2.omerlocdn.com%2Fproduction%2Fglobal%2Ffiles%2Fimage%2F5d68d2c8-8241-49e2-8f97-ea43e9ffae22.png&width=1024&type=jpeg&stripmeta=true","location":"","name":"Geneviève Bouchard","source":"Le Soleil","twitter":"GenBouchard"}],"channel":"Cinéma","chapters":[{"position":0,"text":"

Lignes de fuite, Catherine Chabot et Miryam Bouchard

Elles sont trois amies beauceronnes qui ont grandi ensemble, mais qui ont pris des chemins différents. Au tournant de la trentaine, elles se retrouvent le temps d’une soirée qui prend des allures de dernière chance. Elles ont changé, elles sont ailleurs. Pourquoi s’aimaient-elles, déjà?

Portée par Catherine Chabote Chabot (qui coscénarise et coréalise le film), Léane Labrèche-Dor et Mariana Mazza, la comédie dramatique Lignes de fuite pose la question «deviens-tu ce que tu as voulu?» de percutante manière.

Offert au cinéma.

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Arsenault & fils, Rafaël Ouellet

Des histoires de famille tissées dans le crime, on en a vu souvent. Avec Arsenault & fils, Rafaël Ouellet nous décale d’un poil (d’ours ou d’orignal...) pour ancrer la sienne dans son coin de pays, dans une sorte de mafia du braconnage. Un suspense enlevant porté par une distribution étoilée : Karine Vanasse, Guillaume Cyr, Pierre-Paul Alain, Julien Poulin, Luc Picard et Micheline Lanctôt sont de la partie.

Offert au cinéma.

","type":"paragraph","contents":[],"photos":[]},{"html":"","position":3,"type":"html","contents":[],"photos":[]},{"position":4,"text":"

Thor – Amour et tonnerre, Taika Waititi

Avec le retour de sa belle Jane, qui adopte à son tour le marteau et l’uniforme de super-héros, c’est un Thor plus déjanté que jamais qui nous revient dans Amour et tonnerre. Action et rigolade à prévoir, entre deux vieux succès de Guns N’ Roses.

Quatrième film consacré chez Marvel au «Viking de l’espace» et deuxième réalisé par Taika Waititi, Amour et tonnerre voit converger deux intrigues de réjouissante manière.

Offert au cinéma.

","type":"paragraph","contents":[],"photos":[]},{"contentType":"jw","monetizationEnabled":true,"position":5,"thumbnailUrl":"https://cdn.jwplayer.com/thumbs/LYcdTeVy-1280.jpg","type":"video","url":"https://cdn.jwplayer.com/manifests/LYcdTeVy.m3u8","videoUrl":"https://cdn.jwplayer.com/manifests/LYcdTeVy.m3u8","contents":[],"photos":[]},{"position":6,"text":"

Elvis, Baz Luhrmann

Baz Luhrmann n’est pas de ces réalisateurs qui donnent dans la retenue. Bien au contraire. Ça revole dans tous les sens, c’est rempli de paillettes… Pour reprendre une expression anglophone, c’est «dans ta face». Elvis ne fait pas exception. Ce film va polariser. On adore ou on déteste!

L’histoire d'Elvis Presley est racontée du point de vue du gérant aux origines plutôt mystérieuses, le colonel Parker (interprété par Tom Hanks).

Franchement intrigante, la trame sonore célèbre la musique du King en la métissant avec des sonorités modernes.

Offert au cinéma.

","type":"paragraph","contents":[],"photos":[]},{"contentType":"jw","monetizationEnabled":true,"position":7,"thumbnailUrl":"https://cdn.jwplayer.com/thumbs/tIfYfIz4-1280.jpg","type":"video","url":"https://cdn.jwplayer.com/manifests/tIfYfIz4.m3u8","videoUrl":"https://cdn.jwplayer.com/manifests/tIfYfIz4.m3u8","contents":[],"photos":[]},{"position":8,"text":"

Top Gun : Maverick, Joseph Kosinski

Top Gun: Maverick est tout ce à quoi vous vous attendez sûrement : des clins d’œil nostalgiques, des scènes en vol enlevantes et spectaculaires, mais aussi un bon lot de clichés et d’invraisemblances.

Trente-six ans plus tard — mais sans un seul cheveu gris! —, Tom Cruise reprend son rôle d’intrépide pilote Maverick. Il est appelé à collaborer avec Rooster (Miles Teller), le fils de son défunt complice Goose.

Ensemble, ils auront une mission impossible (avec jeu de mots...) à relever. Mais c’est sans compter sur l’infatigable Maverick…

Offert au cinéma

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Illusions perdues, Xavier Giannoli

La quête de gloire instantanée, l’image qui surpasse le contenu, les fausses nouvelles qui font vendre, la vanité, l’hypocrisie… Avec cette ambitieuse adaptation d’Illusions perdues de Balzac, Xavier Giannoli met en exergue de manière aussi cynique que somptueuse des travers trouvant toujours un écho près de deux siècles plus tard.

Lauréat de sept prix César, le film porte à l’écran un chapitre marquant de La comédie humaine et gratte avec truculence le vernis d’une société aristocratique superficielle et mesquine.

Xavier Dolan y partage l’écran avec Benjamin Voisin, Cécile de France et Gérard Depardieu.

Offert en vidéo sur demande.

","type":"paragraph","contents":[],"photos":[]},{"contentType":"jw","monetizationEnabled":true,"position":11,"thumbnailUrl":"https://cdn.jwplayer.com/thumbs/q0Y6nZXq-1280.jpg","type":"video","url":"https://cdn.jwplayer.com/manifests/q0Y6nZXq.m3u8","videoUrl":"https://cdn.jwplayer.com/manifests/q0Y6nZXq.m3u8","contents":[],"photos":[]},{"position":12,"text":"

West Side Story, Steven Spielberg

Jeune, vibrant, pimpant, rythmé, coloré… Le nouveau West Side Story dépoussiéré par Steven Spielberg happe le spectateur du début à la fin. Sans sacrifier l’essence de l’œuvre originale ni ses célèbres chansons, cette relecture de la comédie musicale réussit à conjuguer une facture contemporaine à un séduisant fond de nostalgie. .

Six décennies après s’être imposé comme un grand classique du cinéma, la nouvelle version revient dans les rues de l’Upper West Side new-yorkais où s’affrontent des bandes rivales, dans une histoire d’amour inspirée de celle de Roméo et Juliette.

Le film original a remporté pas moins de dix Oscars, la version de Spielberg est nommée dans sept catégories pour la cérémonie de 2022, dont celles du meilleur film et de la meilleure réalisation.

Offert sur Disney+.

","type":"paragraph","contents":[],"photos":[]},{"contentType":"jw","monetizationEnabled":true,"position":13,"thumbnailUrl":"https://cdn.jwplayer.com/thumbs/gGvX5YUk-1280.jpg","type":"video","url":"https://cdn.jwplayer.com/manifests/gGvX5YUk.m3u8","videoUrl":"https://cdn.jwplayer.com/manifests/gGvX5YUk.m3u8","contents":[],"photos":[]},{"position":14,"text":"

La tragédie de Macbeth, Joel Coen

Sanglante pièce de Shakespeare maintes et maintes fois revisitée, Macbeth (dans le titre complet La tragédie de Macbeth) se retrouve de nouveau à l’écran, sous les soins attentionnés du réalisateur Joel Coen. Très fidèle à l’œuvre originale, l’Américain y met son grain de sel en y conviant une distribution exceptionnelle — Denzel Washington et Frances McDormand en tête — et en lui offrant un écrin aussi sombre que magnifique.

Joel Coen, nous convie au cœur d’un élégant monde d’ombres, de brouillard, de fumée, mais aussi de grands contrastes, entre le flou presque soyeux des lieux extérieurs et la froideur géométrique et parfois vertigineuse de l’intérieur du château. Visuellement soigné, le film n’en est pas moins rude à plusieurs égards.

Le film est nommé à trois reprises en vue des Oscars 2022.

Offert sur Apple TV+

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Nos partageons nos œuvres favorites au gré du temps, sur grand écran et sur toutes les plateformes.","locales":["fr"],"metadata":{},"modificationDate":"2022-07-09T23:49:04.124Z","publications":[{"canonical":false,"organizationKey":"lesoleil","sectionKey":"arts"},{"canonical":false,"organizationKey":"latribune","sectionKey":"arts"},{"canonical":false,"organizationKey":"ledroit","sectionKey":"arts"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"arts"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"arts"},{"canonical":false,"organizationKey":"latribune","sectionKey":"arts"},{"canonical":false,"organizationKey":"lavoixdelest","sectionKey":"arts"},{"canonical":false,"organizationKey":"lesoleil","sectionKey":"arts"},{"canonical":false,"organizationKey":"ledroit","sectionKey":"arts"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"arts"},{"canonical":false,"organizationKey":"lesoleil","sectionKey":"arts"},{"canonical":false,"organizationKey":"latribune","sectionKey":"arts"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"arts"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"arts"},{"canonical":false,"organizationKey":"ledroit","sectionKey":"arts"},{"canonical":false,"organizationKey":"lesoleil","sectionKey":"arts"},{"canonical":false,"organizationKey":"latribune","sectionKey":"arts"},{"canonical":false,"organizationKey":"ledroit","sectionKey":"arts"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"arts"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"arts"},{"canonical":false,"organizationKey":"latribune","sectionKey":"arts"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"arts"},{"canonical":false,"organizationKey":"ledroit","sectionKey":"arts"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"arts"},{"canonical":false,"organizationKey":"lesoleil","sectionKey":"arts"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"arts"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"arts"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"arts"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"arts"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"arts"},{"canonical":false,"organizationKey":"ledroit","sectionKey":"arts"},{"canonical":false,"organizationKey":"lavoixdelest","sectionKey":"arts"},{"canonical":false,"organizationKey":"ledroit","sectionKey":"arts"},{"canonical":false,"organizationKey":"latribune","sectionKey":"arts"},{"canonical":false,"organizationKey":"lavoixdelest","sectionKey":"arts"},{"canonical":false,"organizationKey":"ledroit","sectionKey":"arts"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"arts"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"arts"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"arts"},{"canonical":false,"organizationKey":"ledroit","sectionKey":"arts"},{"canonical":false,"organizationKey":"latribune","sectionKey":"arts"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"arts"},{"canonical":false,"organizationKey":"latribune","sectionKey":"arts"},{"canonical":false,"organizationKey":"ledroit","sectionKey":"arts"},{"canonical":false,"organizationKey":"lesoleil","sectionKey":"arts"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"arts"},{"canonical":false,"organizationKey":"lesoleil","sectionKey":"arts"},{"canonical":false,"organizationKey":"lesoleil","sectionKey":"arts"},{"canonical":false,"organizationKey":"latribune","sectionKey":"arts"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"arts"},{"canonical":false,"organizationKey":"lavoixdelest","sectionKey":"arts"},{"canonical":false,"organizationKey":"latribune","sectionKey":"cinema"},{"canonical":false,"organizationKey":"lavoixdelest","sectionKey":"cinema"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"cinema"},{"canonical":false,"organizationKey":"lesoleil","sectionKey":"cinema"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"cinema"},{"canonical":false,"organizationKey":"latribune","sectionKey":"cinema"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"cinema"},{"canonical":false,"organizationKey":"lavoixdelest","sectionKey":"cinema"},{"canonical":false,"organizationKey":"latribune","sectionKey":"cinema"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"cinema"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"cinema"},{"canonical":false,"organizationKey":"latribune","sectionKey":"cinema"},{"canonical":false,"organizationKey":"lavoixdelest","sectionKey":"cinema"},{"canonical":false,"organizationKey":"lesoleil","sectionKey":"cinema"},{"canonical":false,"organizationKey":"lequotidien","sectionKey":"cinema"},{"canonical":false,"organizationKey":"lenouvelliste","sectionKey":"cinema"},{"canonical":false,"organizationKey":"ledroit","sectionKey":"cinema"},{"canonical":false,"organizati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